Vestiges du temps extends the Organic Augmented Instruments research to ensemble scale. Cross-projection links flute, clarinet, violin, cello and a microtonally tuned piano, which acts as a central resonating and projecting body within an organically integrated electronic system.

Conceived in dialogue with Gérard Grisey’s Vortex Temporum, the work imagines a “fourth time”: a cosmic duration running from primordial breath and explosion toward galactic expansion. Immersive light by Hugues Girard transforms the perception of space, matter and temporal scale.